Ayyam Auction Results!

by admin on May 19, 2012

Congratulations Ayyam!

The Young Collectors Auction | Official Results

Ayyam Auctions’ thirteenth sale, The Young Collectors Auction, totaled $550,000 from sales of seventy-two of the seventy-five lots offered on auction. 

Dubai—On the evening of May 15, Ayyam Auctions held its seventh edition of The Young Collectors Auction in Dubai, amassing $550,000 from seventy-five lots. 

Held at Ayyam Art Center in Alserkal Avenue, the public sale featured an astounding collection of Arab and Iranian art. The diverse selection of works set established figures such as Samia Halaby, Assad Arabi and Safwan Dahoul alongside burgeoning Iranian talents, Ramin Shirdel, Navid Azimi Sajadi and Shadi Ghadirian on the auction block, allowing new collectors and seasoned bidders to find unique works for their collections. 

In an informal yet vibrant and packed salesroom, moderately priced painting, sculpture, photography, limited edition prints and installation works from renowned and emerging artists throughout the region were fiercely vied for. Enthusiastic bidding generated a dynamic ambiance for those bidding as well as those enjoying the spectacle. 

The highlights of the evening came with competitive bidding over works by emerging artists such as Ramin Shirdel, whose Eshgh 2 sold for and impressive $20,400 from an estimate of $5,000-$6,000, Shurooq Amin’s estimated $8,000-$12,000 My Harem in Heaven, which sold for $18,000, and Elias Izoli’s strikingly modern portrait that brought in $14,400 over an estimate of $5,000-$6,000. Acclaimed still life artist Othman Moussa’s The First Sin surpassed its estimate of $8,000-$12,000 with a final hammer price of $16,800, Kais Salman’s 2012 painting Chrome Platinum sold for $9,200, and an older work of Mohannad Orabi fetched $19,200, surpassing its estimate of $8,000-$12,000. 

With record attendance, record sales and an exciting salesroom, Ayyam Auctions greatly anticipates its next edition of The Young Collectors Auction.

About Ayyam Auctions
Ayyam Auctions is the first of its kind among commercial spaces in the region and was launched in 2009 as part of Ayyam Gallery’s innovative approach to catering to its diverse range of clients. Initiated with the Young Collectors Auction in Dubai in 2009, these public sales have highlighted some of the Middle East’s most exciting figures, featuring prominent and budding artists from across the Arab world, Turkey and Iran. Recently, Ayyam Auctions has worked with other Middle Eastern galleries to insure a blue-chip selection of painting, sculpture and photography that is at once authoritative and robust. Expanding the number of lots with each edition, The Young Collectors Auction, Dubai Sale and Beirut Sale have become an essential part of the region’s world-renowned lineup of yearly art events. 

Click here for the detailed results

Click here for the auction catalogue


(information and pictures kindly provided by Ayyam Gallery)

Article source: http://artofthemideast.com/2012/05/18/ayyam-auction-results/

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Barcode

By Joseph Chahfé, May 2012 

Wednesday May 9, 2012 Starting 6:00 pm 

The bar code has become the icon that is most present in our world today. We see it everywhere, on merchandise, objects, and on whatever we use in our daily lives. It is there to identify each unique element. Even we, as individuals are identified with a bar code, as in our passport. We are all branded which allows the system to control our history of activities.
Through diverse communication media, the government and business organizations around the world accelerate consumption, a conspiracy where we have become the pawns of the game. Especially with advancing technology, our global economic system creates an addiction to consumption. An individual’s identity depends on the social and cultural environment, the family milieu, the surroundings, and the place where one is brought up. Furthermore, the identity evolves from personal experiences and social displacement. Civil identity (technical identification) is necessary in a civil order to manage our society as a group within the borders, in a geographical territory to limit and identify our space.

A civil identity such as a birth certificate or other, alone, cannot determine our social belonging. It is not our origins. Our identity stems from our memories through all their senses. We are our memories, but our native land is not what defines us. We are made out of all the lands we have inhabited, all those which have filled our senses. Each one of them is a fragment of our essence. They make each one of us unique. The fragmented mirror bar code is a self-reflection of our fragmented identity. The physical confrontation of the viewers facing a bar code reflects their image and standardizes a commercial imposed political identity. They can either assimilate or ask questions, reflect or do their own social investigation. It is our destiny as humans to be constantly confronted with mystery, the unknown, the necessity of reinventing ourselves.
Joseph Chahfé

Joseph Chahfé

Born in Lebanon in 1959 and received a Bachelor Degree in Plastic Art in 1989 from the University of Quebec in Montreal. He currently resides and works in Canada. His numerous collective exhibitions with Galerie Janine Rubeiz have included Europ´Art (Geneva 1999); Art Paris, Carousel du Louvre (1999) and Star´t 2001 (Strasboug – France), ” Visages Francophones ” in Cahors (France 2002) and The Gallery in Cork Street (London 2004). In April 2010, he participated in the exhibition “Convergence – New Art from Lebanon”, at the Katzen Art Center at American University in Washington DC. He has widely exhibited in Lebanon, mainly at Janine Rubeiz Gallery since 1997 and abroad in Canada and in Colombia.

(information and pictures kindly provided by Galerie Janine Rubeiz)

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Article source: http://artofthemideast.com/2012/05/16/galerie-janine-rubeiz-presents-barcode-an-exhibition-by-joseph-chahfe-from-may-9-may-31/

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